When "the clocks are not in unison".

An insight into "madness" by Franz Kafka.
First: breakdown, impossible to sleep, impossible to stay awake, impossible to endure life, or, more exactly, the course of life. The clocks are not in unison; the inner one runs crazily on at a devilish or demoniac or in any case inhuman pace, the outer one limps along at its usual speed. What else can happen but that the two worlds split apart, and they do split apart, or at least clash in a fearful manner. There are doubtless several reasons for the wild tempo of the inner process; the most obvious one is introspection, which will suffer no idea to sink tranquilly to rest but must pursue each one unto consciousness, only itself to become an idea, in turn to be pursued by renewed introspection.
Second: This pursuit, originating in the midst of men, carries one in a direction away from them. The solitude that for the most part has been forced on me, in part voluntarily sought by me – but what was this if not compulsion too? – is now losing all its ambiguity and approaches its denouement. Where is it leading? The strongest likelihood is that it may lead to madness; there is nothing more to say, the pursuit goes right through me and rends me asunder.
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Comments
Sara Jacobovici
9 years ago#9
Nicely said Brent Floyd.
Sara Jacobovici
9 years ago#8
Great comment Melissa Hefferman. Thanks for your contribution.
Sara Jacobovici
9 years ago#7
Thank you so much for your generous comment Anees Zaidi. I look forward to future exchanges.
Sara Jacobovici
9 years ago#6
I invite all the readers to contribute to the question posed by Ali Anani: "Do yo want your clocks to be in unison all the times or would you rather have them out of phase sometimes?"
Sara Jacobovici
9 years ago#5
I always said I love your thinking and the questions you ask Ali Anani. Now, I have the challenge to respond. Let me begin with time as is used in music. There is a meter and the rhythmic patterns are designed to fit within the measured meter. The patterns themselves can be "off-beat" but still make sense within the meter as a whole. Many composers prefer to compose arrhythmical pieces. These are sometimes "in sync" with the listener and paradoxically creates a sense of synchrony. I guess what I am trying to say is that I want to have the experience of the clocks being out of phase sometimes as long as the time horizon is there to hold the experience in balance.
Sara Jacobovici
9 years ago#4
Great response Ali Anani. Much appreciated.
Sara Jacobovici
9 years ago#3
Agreed Robert Johnson. That's what makes us each so unique and interesting.
Sara Jacobovici
9 years ago#2
Sara Jacobovici
9 years ago#1
Thank you for your response Nancy Walker. Good to hear from you.